A Saviour Came My Way
Aug. 20th, 2015 09:20 am
Take California Propellerheads
In the Pretend World Scarling.
Kiro TV Sneaker Pimps
Toy Soldier I:Scintilla
Punching in a Dream The Naked and Famous
Shiny The Decembrists
Monster Hospital Metric
In the Shadows Rasmus
Wolf Mother The Mynabirds
Machine Gun Portishead
Sanctuary Antidote for Annie
Radar Detector Darwin Deez
Being Bad Feels Pretty Good Does it Offend You, Yeah?
Believer Kill Hannah
Queen of Hearts Darlia
Uprising Muse
There Is a Light that Never Goes out Dum Dum Girls
Infidel The Bouncing Souls
Ready Fuels Anberlin
Radio, Radio Elvis Costello & The Attractions
With this mix, I tried to illustrate the progression of a plot line in the Killjoy universe. I wanted something with confusion, realization, and liberation. Take California was meant to be exposition. I wanted to get the feel that not everyone in the situation was there of their own accord or consent. From Pretend World to Wolf Mother was a slow decline from compliant citizen to someone questioning. Shiny and In the Shadows illustrate the lack of trust of both Battery City and the Killjoys. “They say that I must learn to kill before I can feel safe; but I’s rather kill myself than turn into their slave” is a good instance of this. After coming from a city of robots, who would want to lose themselves in the Zones? My writer pointed out that the turn from suspicion to trust happens during Sanctuary and Radar Detector. From there, it continues until the final songs, Ready Fuels and Radio, Radio, in which the protagonist and their new partners have become fully united.
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